too large, complex or expensive for all but the biggest budgets. 16 mixes globally assigned as mono or stereo with level and pan Built in mic splitter with ground lift switching All masters include polarity switch, swept HPF and 6dB dim function Mix 1 8 include 2 band swept frequency output EQ Engineers IEM and wedge monitors with faders, meters, inserts and XLR IEMwedge monitor external inputs for FOH comms and IEM rack monitoring Mix AFL assignable to either wedge or IEM monitor PAFL logic includes PFL override AFL, monostereo AFL, PFL to wedge enable Headphones follow IEM mode, includes and 3.5mm jacks Talkback with independent selection to all mixes and external output Talk latch mode for use with switched hand held talkback mic Built in oscillator pink noise generator assignable to any mix output Built in dual supply combiner for additional power supply as a backup 4 mute groups Uses RPS11 linear power supply unit Same chassis as GL2800 Compact footprint ideal for flight casing and saving space at side of stage Solid, individual card, nutted pot construction in a no nonsense all steel chassis The best of analogue great sound, reliable and easy to use 16 mixes with stereo capabilityStereo gives the performer a more natural listening environment but can be impractical for many sound providers as it doubles the number of mixes needed, often exceeding the capability of the console available. The GL2800M packs in a massive 16 mixes letting you c
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