 | EDS RNLA7239 Compressor Limiter |
| EDS RNLA7239 Compressor Limiter |
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EDS RNLA7239 Compressor LimiterThe Really Nice Levelling Amplifier RNLA is a compressor, of sorts, with a character that works well with vocals, bass guitar, acoustic guitars and two mix sources. Although the RNLA is designed to dynamically color the sound passing through it, the channel electronics are fairly neutral and designed so that the output signal statically measured closely resembles the input signal fidelity defined...though slightly paraphrased. Each channel is hand trimmed to typically less than 0.005% Total Harmonic Distortion plus Noise THDN. Even this low level distortion is predominantly second order...a much less heinous form of distortion and agreed by many to impart a slight sweetness to a signal. Despite the unbalanced inputoutput connections, the RNLA has a dynamic range of 117dB, minimum, which is appropriate for today's digital systems and exceeds that which is attainable with many older, vintage levelling amplifiers. The RNLA offers a clip point <3% THD of 22.5dBu. Specifications Size 13 x 1 EIA rack unit Connectors LeftRight 14 unbalanced inputs TS, or TRS for console inserts; LeftRight 14 balanced, single ended outputs; TRS sidechain Controls and Displays Rotary Threshold, Ratio, Attack Time, Release Time, Output Level Switches Bypass, Mode Select Meter 8 segment LED Gain Reduction, 0 16 dB Modes Normal Provides fast attackrelease; Log Rel Provides release envelope acceleration to aid maintenance of transient punch Operating Level 0.775 Vrms 0 dBu nominal for 22 dB headroom 1.228 Vrms 4 dBu nominal for 18 dB headroom Noise Less than 90 dBu over 20 20k Hz Typically 95 dBu over 20 20k Hz Frequency response 10 100k Hz 0.5dB 0 dBu Clip point 22.5dBu 3% THD, 1kHz, greater than 2k Ohm load Distortion Less than 0.1%, no gain reduction 1 kHz, 0 dBu; Less than 0.5%, 6 dB G.R. 1 kHz, 61, 6.0 msec attack, 0.5 sec.& Close...
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| EDS RNLA7239 Compressor Limiter |
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DBX 160A Compressor Limiter160A CompressorLimiter Since its introduction in the mid 1970s, the dbx 160 series has been the worlds most popular line of audio compressors. After the classic 160 which is still used daily in many world class studios, came the 165, the 160X and the 160XT. The 160XXT were the models |
$399.95 | ||
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DBX 1046 Quad Compressor Limiter1046 Quad Compressor In todays recording and sound reinforcement environments, the need for multiple channels of high quality, easy to use compression is growing rapidly. The new dbx® 1046 is designed to provide the audio professional with just that 4 channels of great sounding dbx |
$529.00 | ||
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dbx 1046 Quad Compressor Limiter Standard4 independent channels. Stereo linkable in two pairs. PeakStopPlus limiting control. Independent Threshold and Release controls. Switchable OverEasy or Hard Knee compression. Classic dbx compression. Gold plated XLR and 14" inputs and outputs. True RMS level detection. Precision |
$529.95 | ||
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Universal Audio 1176 Compressor LimiterSound and Features of the Original 1176LN. Classic Custom 1176LN Output Transformers. Stereo or Dual Mono Operation. Totally Independent Compression and Gain Controls in Dual Mono Mode. Matched FETs and Output Transformers. Rack Space Convenience of Two 1176s in a 2U Rack Design. |
$2799.00 | ||
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Universal Audio 1176LN Compressor LimiterTrue to the original in design, manufacture, and performance. Modeled after 1176LN blackface, D and E revisions. F.E.T. gain reduction. Pushbutton selection of compression ratios 41, 81, 121, 201. Ultrafast attack time — 20 microseconds to 800 microseconds. Adjustable release |
$1999.00 |
