the thicker, rounder profile, emulating the neck shapes of the iconic 1958 and 1959 Les Paul Standards. The neck is machined in Gibsons rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the restincluding the final sandingis done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its respective profile, each neck will be slightly different, with a distinct but traditional feel.Gibsons 490R and 498T PickupsThe mid to late 1960s saw the emergence of a very different type of music coming from the clubs of England. It was an interpretation of the blues that hadnt been heard before, and it was much harder, more rocking, and definitely louder than anything else before it. As such, this new genres players were demanding more powerful amplifiers with increased volume outputs to satisfy their sonic explorations. This led to a call for a more versatile pickup to split coils through a pushpull knob, and prevent the microphonic feedback that occurs when the volume is turned up to maximum levels. Gibson answered this call with the introduction of the revolutionary 490T and 490R pickups T for treble, and R for rhythm, which has the traditional characteristics of the original Patent Applied For pickups, but with two key modifications. First, a four conductor wiring scheme allows the 490s to be connected to any pushpull knob, which lets players split the coils and incr
Close...