gear, especially classic limiters, we can all agree numbers like LA2s, 1176s, 2264s, and others come to mind. What if all those sounds were to be found in one stereo tube unit Manley combined a high quality Electro Optical circuit with a damn fast FET based brick wall limiter reminiscent of some cool classics. And they added a sidechain filter that can remove low frequencies that makes it more useful for a variety of tasks, while retaining that easy, it just works quality that has made it a favorite for vocals everywhere. The FET based limiter has different desirable characteristics that both optimize the signal for digital recording, due to the brick wall capability, and let you dial in how clean or crunchy, or punchy, and how loud and proud you want it. Manley is excited to announce the SLAM!GET IN The SLAM! starts with tube Mic Preamps on both channels with switchable phantom power and phase reverse. You get plenty of gain in this new tube circuit, up to 60dB with 20dB more in the limiter plenty for soft singers using low output ribbon mics. The input attenuator is right up front, like a variable pad so your loud rock n rollers wont cause a problem either. Track direct with the Direct Instrument input or bring your line level inputs into the SLAM! for processing.Got some Digital to deal with No problem. There is a slot in the back for an optional 24 Bit96KHz Analog to Digital converter and 24 Bit192KHz Digital to Analog converter card. This allows you
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