Midas Venice 160 Mixer

About Midas Venice 160 Mixer

Midas Venice 160 Mixer by Guitar Center - Channels 16. EQ 4 band sweepable. Direct Output. 6 Mix Sends. 4 Audio Sub Groups. 2 stereo masters. Venice 160 will fit in a 19" rack and is shipped including the rack mounting kit. Inputs total 30. Mono Inputs MicLine with Inserts 8. Stereo LineMono Mic Input Channels 44. Stereo Effect Returns Line 4. Stereo Tape Return Line 1 leftright. Busses 15. Subgroups 4. Aux Pre Fader Monitor 2. Aux Post Fader Effects 2. Aux switchable PrePost Fader 2. Master LR 2. Mono PFL 1. Stereo AFL 2. . Output. Subgroups with Inserts 4 impedance balanced 14 inch jacks. Aux Pre Fader Monitor 2 XLR balanced. Aux Post Fader Effects 2 impedance balanced 14 inch jacks. Aux switchable PrePost Fader 2 XLR balanced. Master with Inserts 2 XLR balanced. Master B Out switchable MonoStereo, pre post Fader 2 XLR balanced. Tape Send Recording 1 Stereo Phono. Direct Outputs 14 inch Jack 8. Stereo Headphones 2 Stereo

Midas Venice 160 Mixer by Instrument Pro - Midas Venice 160 A Midas console designed for small venues and mobile systems. Midas Venice 160 Analog Mixing Console sets a new standard in compact mixing consoles. Venice is Midas first truly compact console built in direct response to customer demand. It does exactly what was asked in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option. These range from smaller conference or live band applications, to effects returns or additional inputs in a large multi console application, or as part of a small complete mobile system. It also provides the perfect feature set for live acts who need to mix their own FOH and monitor sound from on stage, and is compact and light enough to fit on even the most cramped performance area. Midas has paid attention to the details that set their consoles apart taking care to provide high quality mic preamps and a stable, responsive EQ section, just as they do on their larger consoles. The simple but intuitive outputs make the overall configuration of the console extremely quick and easy to use. Legendary Midas Sound The overall sonic performance of any console can only be as good as the incoming signal interfaces, namely the microphone pre amplifier. Midas consoles always incorporate the very best microphone preamps available. Venice uses an updated version of the ground breaking Midas XL3 microphone preamp, which uses Midas own long tailed pair circuitry. This means that the Venice preamp has ample headroom and gain range to accept both microphone and line level signals without any pad or range switching. Frequency response and distortion a hot issue To retain the natural qualities of many different sorts of input signals, a console must be able to handle incoming signals across a very wide frequency range with lowest possible distortion. The maximum input capability of Venice is 22dBu, enabling the console to deal with even the hottest line signals within a 15Hz to 100kHz frequency range. High value EMI suppression filters shelter the signal path from unwanted external noise, one of the fundamental Midas design specialities. Venice EQ Pure Performance Leading audio professionals all over the world confirm its not the number of pots that make an EQ section, its the audible result, the ability to accurately control and fine tune audio signals in the most musical way possible. Great EQ also provides the creative processing power to create personalized soundscapes without any unwanted side effects. For instance, this means that the HF and LF filters wont interfere with the mid band frequencies All filters keep their gain regardless of frequency settings, and 15dB on a gain potentiometer means exactly what it says. The Venice EQ is what thousands of Midas owners and users expect from Midas products pure performance. Highest Quality Components The world class audio performance expected of a Midas can only be achieved by using first class c
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