backlight that is as bright as the best laptop PCs on the market today, makes the overview of settings and adjustments extremely easy. The display is accompanied with lots of large direct access buttons for accessing features and menus. Several dedicated encoder wheels for adjusting processing is also present. In total this creates an incredibly intuitive user interface that will make even the most analog thinking sound engineer feel comfortable – within a few minutes he will be able to solve even the most critical situations in a hectic live event. Analog IO EQ Station offers some of the finest ADDA converters available in any studio or live processor today. Analog domain gain scaling, so the full resolution of the converters can be used regardless of the operation level of the surrounding equipment, complements the wide dynamic range of these converters. To counteract harsh sound and listening fatigue often associated with digital processors, EQ Station is an industry first to incorporate headroom for reconstructed peak signals exceeding digital full scale. The maximum operating level can be set at 4 positions, 15, 18, 21 and 24 dBu, each with additional Full Scale Safety Margin as shown on the illustration below. For more exotic level handling requirements, the analog inputs may take in signals as hot as 30 dBu, and both inputs and outputs can have the max level set as low as 3 dBu. Analog gain scaling is performed in steps of 3 dB between these extremes, and can of course operate under automated control. 8 channel. Digital AES IO card for EQ Station The 8 inputs and output channels of audio in AES digital format are made accessible by connecting the AES cable to the 25 pin D type connector. The AES cable is coded XLR type connector’s in numerical order; each carries a pair of digital audio channels. EQ Station doesnt only feature the ultimate precision resolution; its timing is also magnitudes better than other live processing devices. Predictability counts in professional audio, and EQ Station is the perfect anchor to remove jitter from any interfacing, and provide clean feeds from its analog and digital outputs. DA, sample rate conversion and even interfacing reliability is readily compromised when jitter from long cable runs, or less than perfect digital transmitters, is present in the signal path. Therefore, jitter rejection is a major quality guarantying factor. Jitter r
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